{"id":3208,"date":"2025-09-17T08:38:29","date_gmt":"2025-09-17T07:38:29","guid":{"rendered":"https:\/\/www.not-applicable.org\/?page_id=3208"},"modified":"2025-09-17T08:43:30","modified_gmt":"2025-09-17T07:43:30","slug":"ohlmeier-fischerlehner-khroustaliov","status":"publish","type":"page","link":"https:\/\/www.not-applicable.org\/?page_id=3208","title":{"rendered":"Ohlmeier \/ Fischerlehner \/ Khroustaliov"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.not-applicable.org\/wp-content\/uploads\/2025\/09\/Portrait-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"629\" src=\"https:\/\/www.not-applicable.org\/wp-content\/uploads\/2025\/09\/Portrait-1024x629.jpg\" alt=\"\" class=\"wp-image-3206\" srcset=\"https:\/\/www.not-applicable.org\/wp-content\/uploads\/2025\/09\/Portrait-1024x629.jpg 1024w, https:\/\/www.not-applicable.org\/wp-content\/uploads\/2025\/09\/Portrait-300x184.jpg 300w, https:\/\/www.not-applicable.org\/wp-content\/uploads\/2025\/09\/Portrait-768x472.jpg 768w, https:\/\/www.not-applicable.org\/wp-content\/uploads\/2025\/09\/Portrait-1536x944.jpg 1536w, https:\/\/www.not-applicable.org\/wp-content\/uploads\/2025\/09\/Portrait-2048x1259.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p>The trio of Lothar Ohlmeier, Rudi Fischerlehner and Isambard Khroustaliov came about, without fanfare or design, through mutual friendship, empathy and curiosity in each other&#8217;s music. <\/p>\n\n\n\n<p>Continuing a tradition of freely improvised group expression; from <em>AMM<\/em> to the <em>Art Ensemble of Chicago<\/em>, the <em>Cecil Taylor Unit<\/em> to <em>Musica Elettronica Viva<\/em>, their music draws from the worlds of free jazz, aleatoric music, musique concr\u00e8te, and electroacoustic improvisation.<\/p>\n\n\n\n<p>Within a chamber music like suspension of hazy, reverberant intimacy, the trio chatter a three way musical exchange involving Ohlmeier\u2019s bass clarinet, with its mellifluous and free ranging narrative voice, Isambard Khroustaliov\u2019s electronics; a bubbling, myriad of sound sources and sonorities and Rudi Fischerlehner\u2019s drums and percussion; halting, arrhythmical but landing on the right spot every time.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>&#8220;Sounds truly unlike anything else.&#8221; Electronic Sound<\/p>\n\n\n\n<p>&#8220;It makes you think, but also makes you feel \u2014 and that can only be a good thing.&#8221; Freq <\/p>\n\n\n\n<p>&#8220;The music reflects an intimate and highly nuanced, conversational mode, a democratic, three-way musical exchange of ideas and deep listening.&#8221; Salt Peanuts<\/p>\n\n\n\n<p>&#8220;From the beginning &#8230; (the music) is a work of intuition, and the interplay between the three musicians is something special.&#8221; Aural Aggravation<\/p>\n<\/blockquote>\n\n\n\n<p>Lothar Ohlmeier &#8211; Bass Clarinet<br>Rudi Fischerlehner &#8211; Drums &amp; Percussion<br>Isambard Khroustaliov &#8211; Electronics<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Recordings<\/h2>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2859451176\/size=large\/bgcol=ffffff\/linkcol=333333\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"https:\/\/not-applicable.bandcamp.com\/album\/in-the-gloaming\">In The Gloaming by Lothar Ohlmeier \/ Isambard Khroustaliov \/ Rudi Fischerlehner<\/a><\/iframe>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3371312451\/size=large\/bgcol=ffffff\/linkcol=333333\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"https:\/\/not-applicable.bandcamp.com\/album\/hypertide-over-kiribati\">Hypertide Over Kiribati by Lothar Ohlmeier \/ Rudi Fischerlehner \/ Isambard Khroustaliov<\/a><\/iframe>\n<script async src=\"https:\/\/balboai.eomail6.com\/form\/6b4d0914-f312-11f0-a389-9d1e404591de.js\" data-form=\"6b4d0914-f312-11f0-a389-9d1e404591de\"><\/script>","protected":false},"excerpt":{"rendered":"<p>The trio of Lothar Ohlmeier, Rudi Fischerlehner and Isambard Khroustaliov came about, without fanfare or design, through mutual friendship, empathy and curiosity in each other&#8217;s music. Continuing a tradition of freely improvised group expression; from AMM to the Art Ensemble of Chicago, the Cecil Taylor Unit to Musica Elettronica Viva, their music draws from the &hellip; <a href=\"https:\/\/www.not-applicable.org\/?page_id=3208\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Ohlmeier \/ Fischerlehner \/ Khroustaliov<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3208","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.not-applicable.org\/index.php?rest_route=\/wp\/v2\/pages\/3208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.not-applicable.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.not-applicable.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.not-applicable.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.not-applicable.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3208"}],"version-history":[{"count":3,"href":"https:\/\/www.not-applicable.org\/index.php?rest_route=\/wp\/v2\/pages\/3208\/revisions"}],"predecessor-version":[{"id":3212,"href":"https:\/\/www.not-applicable.org\/index.php?rest_route=\/wp\/v2\/pages\/3208\/revisions\/3212"}],"wp:attachment":[{"href":"https:\/\/www.not-applicable.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}