{"id":2795,"date":"2021-05-14T10:45:17","date_gmt":"2021-05-14T09:45:17","guid":{"rendered":"https:\/\/www.not-applicable.org\/?p=2795"},"modified":"2021-05-14T10:45:18","modified_gmt":"2021-05-14T09:45:18","slug":"tangible-extractions","status":"publish","type":"post","link":"https:\/\/www.not-applicable.org\/?p=2795","title":{"rendered":"Tangible Extractions"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/281066318?dnt=1&amp;app_id=122963\" width=\"660\" height=\"371\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>In 2018, Anne Haaning asked Isambard Khroustaliov to write a soundtrack for her film and installation &#8216;Tangible Extractions&#8217;. Created exclusively using a modular synthesizer and by hacking presets on a Roland D-05 module, the soundtrack ended up being the catalyst for a new direction in his music, one that is expanded on and explored in the album &#8216;This Is My Private Beach, This Is My Jetsam&#8217; from 2019.<\/p>\n\n\n\n<p>For the forthcoming album &#8216;Transhuman Harmolodics&#8217;, Khroustaliov re-visits the soundtrack, taking another look at it&#8217;s nascent forms and sonorities with the hindsight of having developed numerous new strategies and methods of composing with this type of material. The result is the track &#8216;Longevity Escape Velocity&#8217; that concludes the album, which takes the seed of the soundtrack to &#8216;Tangible Extractions&#8217; and launches it into a harmonic vortex of suspended animation. It&#8217;s trajectory as a composition is completed by feeding the soundtrack&#8217;s audio and the MIDI sequences used to make it, along with a flood of NRPN continuous controller information to a Moog One with the aim of having it try to copy it. The end of the piece acts like a strangely distorted mirror, a kind of AI recapitulation of the spark of inspiration that initiated a journey of musical discovery.<\/p>\n\n\n\n<p>&#8216;Transhuman Harmolodics&#8217; arrives in full on the 28th May 2021.<\/p>\n\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=103523161\/size=large\/bgcol=ffffff\/linkcol=333333\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"https:\/\/not-applicable.bandcamp.com\/album\/transhuman-harmolodics\">Transhuman Harmolodics by Isambard Khroustaliov<\/a><\/iframe>\n\n\n\n<p><\/p>\n<script async src=\"https:\/\/balboai.eomail6.com\/form\/6b4d0914-f312-11f0-a389-9d1e404591de.js\" data-form=\"6b4d0914-f312-11f0-a389-9d1e404591de\"><\/script>","protected":false},"excerpt":{"rendered":"<p>In 2018, Anne Haaning asked Isambard Khroustaliov to write a soundtrack for her film and installation &#8216;Tangible Extractions&#8217;. Created exclusively using a modular synthesizer and by hacking presets on a Roland D-05 module, the soundtrack ended up being the catalyst for a new direction in his music, one that is expanded on and explored in &hellip; <a href=\"https:\/\/www.not-applicable.org\/?p=2795\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Tangible Extractions<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-2795","post","type-post","status-publish","format-standard","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/www.not-applicable.org\/index.php?rest_route=\/wp\/v2\/posts\/2795","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.not-applicable.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.not-applicable.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.not-applicable.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.not-applicable.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2795"}],"version-history":[{"count":1,"href":"https:\/\/www.not-applicable.org\/index.php?rest_route=\/wp\/v2\/posts\/2795\/revisions"}],"predecessor-version":[{"id":2796,"href":"https:\/\/www.not-applicable.org\/index.php?rest_route=\/wp\/v2\/posts\/2795\/revisions\/2796"}],"wp:attachment":[{"href":"https:\/\/www.not-applicable.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.not-applicable.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2795"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.not-applicable.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}